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Flat Ink Magazine
Damnation Does Not Impress Us

Damnation Does Not Impress Us

 

 

We are freshmen fueled by pure 

grain and dancing, losing easy 

affection and our room keys. 

 

Fire bores us. We use it to light 

bonfires, clove cigarettes, textbooks 

on the grill in the backyard

 

at the Phi Tau house. I knew 

a girl who used the glow of a gas 

stove to burn her arm hair off. 

 

Damnation does not impress us. 

We read Dante’s Inferno that spring: 

Lusty whirlwinds, like ourselves, 

 

or the Beta basement on Friday

nights, flames, boiling blood.

We meet gluttons in the icy 

 

slush of never-ending rain, traitor 

Satan begetting icy winds. 

Who knew Hell might be cold? 

 

Robins in Buffalo, perhaps. We ask

when we will read about heaven.

Our professor scoffs, Nobody 

 

reads Paradiso. People only 

want to read what they know, 

and no one knows how to be

 

happy. We walk out, every one 

of us convinced we are Virgil. 

In chemistry, we learn that 

 

when sulfur burns, it melts 

to a red liquid but the flame

burns blue. Imagine the hellrave: 

 

bodies writhing in blue light, 

crimson pooled at their feet. 

It would look like us, dancing.

 

 

 


Colleen S. Harris earned her MFA in Writing from Spalding University, serves as a poetry editor at Iron Oak Editions, and works as a university library dean. Her poetry collections include FLARE (Cynren, forthcoming 2027), Babylon Songs (First Bite, forthcoming 2026), The Light Becomes Us (Main Street Rag, 2025), These Terrible Sacraments (Doubleback 2019; Bellowing Ark, 2010), The Kentucky Vein (Punkin House, 2011), God in My Throat: The Lilith Poems (Bellowing Ark, 2009), and chapbooks Toothache in the Bone (boats against the current, 2025), The Girl and the Gifts (Bottlecap, 2025), That Reckless Sound (Porkbelly, 2014), and Some Assembly Required (Porkbelly, 2014). She also co-edited Women Versed in Myth: Essays on Modern Women Poets (McFarland, 2016) and Women on Poetry: Writing, Revising, Publishing, and Teaching (McFarland, 2012). Her poetry appears or is forthcoming in Berkeley Poetry Review, The Louisville Review, Strange Horizons, Wild Roof Journal, Gone Lawn, and more than 90 others. Follow her writing at colleensharris.com

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  • On Craft
  • In Conversation
  • Non-Fiction
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    • Issue #1: Alternate Endings
    • Issue #2: In The Margins
    • Issue #3
  • Reviews
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