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  • Home
  • On Craft
  • Prose & Poetry
    • Issue #1: Alternate Endings
    • Issue #2: In The Margins
    • Issue #3
  • Reader
    • Reviews
    • Recommendations
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Flat Ink Magazine
an afternoon, well spent

an afternoon, well spent

 

 

Zinnias, proud and full. 

Tender spine pressed flat, 

leather scrunched and 

well-loved, pages in 

bloom. Nose dipped toward 

thread-lined centers, pulling 

taunt. Anticipating. 

Letters tickling, sneezes 

sending the nearest trailing 

thought askew. Hair tricks 

as golden, mimicking sunbeams; 

the ink, though long dried, 

stains tips of fingers, licked 

for flicking pages; dandelion 

stains on ends of noses 

gives away moments 

of dreams possessing 

mid-flutter of spring 

blooms and soft murmurs 

between beats of eyelashes, 

prophesying in whispers, 

summer. 

 

— Pierre-Auguste Renoir’s “Child Reading (Enfant lisant)” Early 1890s. Oil on canvas. On display at the Barnes Foundation in Philadelphia, PA.

 

 


Bailey Quinn is an interdisciplinary writer and artist from Middlebury, Connecticut, where she grew up and now serves as its first Poet Laureate. While earning her bachelor’s degree in English from Villanova University, she served as a staff writer for The Villanovan. She is also a graduate of the Columbia Publishing Course. Bailey’s creative work has been published in Breath & Shadow; The Creekside Magazine; Villanova’s literary magazine, Ellipsis; and more. Bailey loves the music of Sammy Rae and the Friends, divulging trivia about Gilmore Girls, and buying more books than she can fit in her bookshelf.

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  • On Craft
  • In Conversation
  • Non-Fiction
  • Prose & Poetry
    • Issue #1: Alternate Endings
    • Issue #2: In The Margins
    • Issue #3
  • Reviews
  • Recommendations

About Flat Ink

  • Submit
  • Mission
  • Masthead
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